This time, Plato’s gaze is directed outwardly,
expressing the firm resolve to refashion the world.

(Continued from part 2.)

Plato is a spiritual writer. Perhaps that, more than his philosophy, explains his lasting role in history. He had a profound influence on world religion, and in a certain sense could be called the father of religious thought. At the very least, one could call him the first religious thinker — the priests of Leviticus don’t quite fit that description. Continue reading →

Mosaic believed to depict Plato’s Academy.
Found in the ruins of Pompeii.

(Continued from part 1.)

Plato never wrote out a full statement of his philosophy in any one place, and the literary aspect of his work makes it difficult to identify what that philosophy even was. In that respect, Losev did a great service just by concisely explaining it. I will therefore turn the floor over to him: Continue reading →

Believed to have been sculpted during Plato’s lifetime.
A portrait of cold, distant superiority.

It is easy to form a misleading impression of Plato. An American’s first encounter with Plato usually occurs in a freshman philosophy class; the assigned reading is almost invariably “The Republic,” which is presented as primarily a study of politics, a utopian tract describing the “perfect society” by direct analogy with works by social and ideological thinkers of the 18th and 19th centuries. Plato’s take on it is supposed to be more radical and shocking, since he dares to criticize democracy, but then, clearly the most compelling way to prove the superiority of contemporary 21st-century society is by comparing it to Athens in 400 BC. Continue reading →